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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.

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The idea of a dance is an instance of the first kind of modes; that of beauty of the second.

 And though the same motives may seem to have force, with regard to public authority, yet they are opposed by a contrary interest; which consists in the preservation of peace, and the avoiding of all changes, which, however they may be easily produced in private affairs, are unavoidably attended with bloodshed and confusion, where the public is interested. [*Footnote; Space represented as an object (as geometry really requires it to be) contains more than the mere form of the intuition; namely, a combination of the manifold given according to the form of sensibility into a representation that can be intuited; so that the form of the intuition gives us merely the manifold, but the formal intuition gives unity of representation. But it may be, notwithstanding, an empty conception, unless the objective reality of this synthesis, but which it is generated, is demonstrated; and a proof of this kind must be based upon principles of possible experience, and not upon the principle of analysis or contradiction. No wonder, then our own beauty becomes an object of pride, and deformity of humility. Thus we may establish it as a certain maxim, that we can never, by any principle, but by an irregular kind [Such as that of SECT. 2, form the coherence of our perceptions.] of reasoning from experience, discover a connexion or repugnance betwixt objects, which extends not to impressions; though the inverse proposition may not be equally true, that all the discoverable relations of impressions are common to objects. FREE Adult Lifetime Membership" Hence results, not only doubt as to the objective validity and proper limits of their use, but that even our conception of space is rendered equivocal; inasmuch as we are very ready with the aid of the categories, to carry the use of this conception beyond the conditions of sensuous intuition--and, for this reason, we have already found a transcendental deduction of it needful. This question will embarrass both of them. 
If you answer this question in, the same manner as the preceding, your answer gives still occasion to a new question of the same kind, even in infinitum; which clearly proves, that the foregoing reasoning had no just foundation.
 And it is remarkable, that though almost all animals use in play the same member, and nearly the same action as in fighting; a lion, a tyger, a cat their paws; an ox his horns; a dog his teeth; a horse his heels: Yet they most carefully avoid harming their companion, even though they have nothing to fear from his resentment; which is an evident proof of the sense brutes have of each other's pain and pleasure.