Oyonale - 3D art and graphic experiments
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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.
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This decision package contains approximately three hours of information about our explosive Internet business and it also begins your training. For as to the principles of transcendental aesthetic, according to which space and time are the conditions of the possibility of things as phenomena, as also the restriction of these principles, namely, that they cannot be applied to objects as things in themselves--these, of course, do not fall within the scope of our present inquiry. For though the want of good sentiments may place him beyond the influence of moral interests, still even in this case enough may be left to make him fear the existence of God and a future life. It is clear, from all this, that the schema of the category of quantity contains and represents the generation (synthesis) of time itself, in the successive apprehension of an object; the schema of quality the synthesis of sensation with the representation of time, or the filling up of time; the schema of relation the relation of perceptions to each other in all time (that is, according to a rule of the determination of time); and finally, the schema of modality and its categories, time itself, as the correlative of the determination of an object--whether it does belong to time, and how. Thus we can say; "The things that really existed in past time are given in the transcendental object of experience." But these are to me real objects, only in so far as I can represent to my own mind, that a regressive series of possible perceptions- following the indications of history, or the footsteps of cause and effect--in accordance with empirical laws--that, in one word, the course of the world conducts us to an elapsed series of time as the condition of the present time. In general we may remark, that the minds of men are mirrors to one another, not only because they reflect each others emotions, but also because those rays of passions, sentiments and opinions may be often reverberated, and may decay away by insensible degrees.