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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.

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If there be any objections to this hypothesis, THAT THE PLEASURE, WHICH WE RECEIVE FROM PRAISE, ARISES FROM A COMMUNICATION OF SENTIMENTS, we shall find, uponexamination, that these objections, when taken in a properlight, will serve to confirm it.

 
Did not the belief consist in a sentiment different from our mere conception, whatever objects were presented by the wildest imagination, would be on an equal footing with the most established truths founded on history and experience.
 For, if they decide for the first view, and make space and time into substances, this being the side taken by mathematical natural philosophers, they must admit two self-subsisting nonentities, infinite and eternal, which exist (yet without there being anything real) for the purpose of containing in themselves everything that is real. The argument, which we found on any matter of fact we remember, is more or less convincing according as the fact is recent or remote; and though the difference in these degrees of evidence be not received by philosophy as solid and legitimate; because in that case an argument must have a different force to day, from what it shall have a month hence; yet notwithstanding the opposition of philosophy, it is certain, this circumstance has a considerable influence on the understanding, and secretly changes the authority of the same argument, according to the different times, in which it is proposed to us. Time is nothing but the form of our internal intuition.* If we take away from it the special condition of our sensibility, the conception of time also vanishes; and it inheres not in the objects themselves, but solely in the subject (or mind) which intuites them. In this case, time is altogether left out in the connection of the conditioned with the condition; they are supposed to be given in themselves, and contemporaneously. There is another cause, which both contributes to the same effect, and proceeds from the same quality of the fancy, by which we are determined to trace the succession of time by a similar succession of ideas.