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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.

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But though every great distance produces an admiration for the distant object, a distance in time has a more considerable effect than that in space.

 That, in the explanation of phenomena, we must proceed as if the field of inquiry had neither limits in space nor commencement in time; that we must be satisfied with the teaching of experience in reference to the material of which the world is posed; that we must not look for any other mode of the origination of events than that which is determined by the unalterable laws of nature; and finally, that we not employ the hypothesis of a cause distinct from the world to account for a phenomenon or for the world itself--are principles for the extension of speculative philosophy, and the discovery of the true sources of the principles of morals, which, however little conformed to in the present day, are undoubtedly correct. But motion, considered as the description of a space, is a pure act of the successive synthesis of the manifold in external intuition by means of productive imagination, and belongs not only to geometry, but even to transcendental philosophy.] When, then, for example, I make the empirical intuition of a house by apprehension of the manifold contained therein into a perception, the necessary unity of space and of my external sensuous intuition lies at the foundation of this act, and I, as it were, draw the form of the house conformably to this synthetical unity of the manifold in space. Of this we find a striking example in the cognitions of space and its relations, which form the foundation of pure mathematics. 
(See SS 3.) Therefore, to speak accurately, no ideality whatever belongs to these, although they agree in this respect with the representation of space, that they belong merely to the subjective nature of the mode of sensuous perception; such a mode, for example, as that of sight, of hearing, and of feeling, by means of the sensations of colour, sound, and heat, but which, because they are only sensations and not intuitions, do not of themselves give us the cognition of any object, least of all, an a priori cognition.