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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.

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And this foundation is itself unworthy of trust, if it leave under and above it empty space, if it do not fill all, and leave no room for a why or a wherefore, if it be not, in one word, infinite in its reality.

 For as to the principles of transcendental aesthetic, according to which space and time are the conditions of the possibility of things as phenomena, as also the restriction of these principles, namely, that they cannot be applied to objects as things in themselves--these, of course, do not fall within the scope of our present inquiry. The cause of this phaenomenon must evidently lie in the different properties of space and time. We have therefore no idea of space or extension, but when we regard it as an object either of our sight or feeling. Space, prior to all things which determine it (fill or limit it), or, rather, which present an empirical intuition conformable to it, is, under the title of absolute space, nothing but the mere possibility of external phenomena, in so far as they either exist in themselves, or can annex themselves to given intuitions. But the synthesis of the manifold parts of space--(the syntheses whereby we apprehend space)--is nevertheless successive; it takes place, therefore, in time, and contains a series. Secondly, the real in space--that is, matter--is conditioned. Thus much only can we say; "The image is a product of the empirical faculty of the productive imagination--the schema of sensuous conceptions (of figures in space, for example) is a product, and, as it were, a monogram of the pure imagination a priori, whereby and according to which images first become possible, which, however, can be connected with the conception only mediately by means of the schema which they indicate, and are in themselves never fully adequate to it." On the other hand, the schema of a pure conception of the understanding is something that cannot be reduced into any image--it is nothing else than the pure synthesis expressed by the category, conformably, to a rule of unity according to conceptions. Thus space and time were the intelligible form of the connection of things (substances and their states) in themselves.