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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.

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On the contrary, the transcendental conception of phenomena in space is a critical admonition, that, in general, nothing which is intuited in space is a thing in itself, and that space is not a form which belongs as a property to things; but that objects are quite unknown to us in themselves, and what we call outward objects, are nothing else but mere representations of our sensibility, whose form is space, but whose real correlate, the thing in itself, is not known by means of these representations, nor ever can be, but respecting which, in experience, no inquiry is ever made.

 But, with the exception of space, there is no representation, subjective and referring to something external to us, which could be called objective a priorI. For there are no other subjective representations from which we can deduce synthetical propositions a priori, as we can from the intuition of space. If we wish to set one of these two apart from the other--space from phenomena--there arise all sorts of empty determinations of external intuition, which are very far from being possible perceptions. 
Our system concerning space and time consists of two parts, which are intimately connected together.
 In the next place we shall take away from this intuition all that belongs to sensation, so that nothing may remain but pure intuition, and the mere form of phenomena, which is all that the sensibility can afford a priorI. From this investigation it will be found that there are two pure forms of sensuous intuition, as principles of knowledge a priori, namely, space and time. Its relation to objects in space gives us the conception of connection (commercium) with bodies. [Footnote; They can be perceived only as phenomena, and some part of them must always belong to the non-ego; whereas pure intuitions are entirely the products of the mind itself, and as such are coguized IN THEMSELVES.--Tr] They contain, then, over and above the intuition, the materials for an object (through which is represented something existing in space or time), that is to say, they contain the real of sensation, as a representation merely subjective, which gives us merely the consciousness that the subject is affected, and which we refer to some external object. SECT. I. OF THE INFINITE DIVISIBILITY OF OUR IDEAS OF SPACE AND TIME. For as to the principles of transcendental aesthetic, according to which space and time are the conditions of the possibility of things as phenomena, as also the restriction of these principles, namely, that they cannot be applied to objects as things in themselves--these, of course, do not fall within the scope of our present inquiry.