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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.

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In the transcendental aesthetic we proved that everything intuited in space and time, all objects of a possible experience, are nothing but phenomena, that is, mere representations; and that these, as presented to us--as extended bodies, or as series of changes--have no self-subsistent existence apart from human thought.

  There is an easy reason, why every thing contiguous to us, either in space or time, should be conceived with a peculiar force and vivacity, and excel every other object, in its influence on the imagination. Now, a gradual transition from empirical consciousness to pure consciousness is possible, inasmuch as the real in this consciousness entirely vanishes, and there remains a merely formal consciousness (a priori) of the manifold in time and space; consequently there is possible a synthesis also of the production of the quantity of a sensation from its commencement, that is, from the pure intuition = 0 onwards up to a certain quantity of the sensation. By means of the external sense (a property of the mind), we represent to ourselves objects as without us, and these all in space. But the use of the conception in this science extends only to the external world of sense, the pure form of the intuition of which is space; and in this world, therefore, all geometrical cognition, because it is founded upon a priori intuition, possesses immediate evidence, and the objects of this cognition are given a priori (as regards their form) in intuition by and through the cognition itself.