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Cliquer sur les phrases pour les voir dans leur contexte. Les textes de Immanuel Kant et David Hume sont disponibles auprès du Projet Gutenberg.

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Accordingly we find in common life, that men are principally concerned about those objects, which are not much removed either in space or time, enjoying the present, and leaving what is afar off to the care of chance and fortune.

 

Without having recourse to metaphysics, any one may easily observe, that space or extension consists of a number of co-existent parts disposed in a certain order, and capable of being at once present to the sight or feeling.

 My purpose, in the above remark, is merely this; to guard any one against illustrating the asserted ideality of space by examples quite insufficient, for example, by colour, taste, etc.; for these must be contemplated not as properties of things, but only as changes in the subject, changes which may be different in different men. The proof in favour of the infinity of the cosmical succession and the cosmical content is based upon the consideration that, in the opposite case, a void time and a void space must constitute the limits of the world. But space and time are not merely forms of sensuous intuition, but intuitions themselves (which contain a manifold), and therefore contain a priori the determination of the unity of this manifold.* (See the Transcendent Aesthetic.) Therefore is unity of the synthesis of the manifold without or within us, consequently also a conjunction to which all that is to be represented as determined in space or time must correspond, given a priori along with (not in) these intuitions, as the condition of the synthesis of all apprehension of them. We have a priori forms of the external and internal sensuous intuition in the representations of space and time, and to these must the synthesis of apprehension of the manifold in a phenomenon be always comformable, because the synthesis itself can only take place according to these forms. Take, for example, the proposition; "Two straight lines cannot enclose a space, and with these alone no figure is possible," and try to deduce it from the conception of a straight line and the number two; or take the proposition; "It is possible to construct a figure with three straight lines," and endeavour, in like manner, to deduce it from the mere conception of a straight line and the number three.