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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.

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In our theory of the true nature of these two original forms of the sensibility, both difficulties are surmounted.

 It is evident, that all the sciences have a relation, greater or less, to human nature: and that however wide any of them may seem to run from it, they still return back by one passage or another. But in the Critique itself it will be demonstrated, not hypothetically, but apodeictically, from the nature of our representations of space and time. Now we learn what this empirical character is only from phenomenal effects, and from the rule of these which is presented by experience; and for this reason all the actions of man in the world of phenomena are determined by his empirical character, and the co-operative causes of nature. Most of the works of art are esteemed beautiful, in proportion to their fitness for the use of man, and even many of the productions of nature derive their beauty from that source. The infinite divisibility of space implies that of time, as is evident from the nature of motion. The very nature and essence of relation is to connect our ideas with each other, and upon the appearance of one, to facilitate the transition to its correlative.