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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.

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For experience possesses its unity from the synthetical unity which the understanding, originally and from itself, imparts to the synthesis of the imagination in relation to apperception, and in a priori relation to and agreement with which phenomena, as data for a possible cognition, must stand.

 But this standard is the idea of virtue, in relation to which all possible objects of experience are indeed serviceable as examples--proofs of the practicability in a certain degree of that which the conception of virtue demands--but certainly not as archetypes. If sometimes we ascribe a continued existence to objects, which are perfectly new to us, and of whose constancy and coherence we have no experience, it is because the manner, in which they present themselves to our senses, resembles that of constant and coherent objects; and this resemblance is a source of reasoning and analogy, and leads us to attribute the same qualities to similar objects. It is therefore not merely possible or probable, but indubitably certain, that space and time, as the necessary conditions of all our external and internal experience, are merely subjective conditions of all our intuitions, in relation to which all objects are therefore mere phenomena, and not things in themselves, presented to us in this particular manner. Nor need we have recourse to the fictions of poets to learn this; but beside the reason of the thing, may discover the same truth by common experience and observation. But, if these phenomena must be employed in the construction or support of the cosmological idea of an absolute whole, and when we are discussing a question that oversteps the limits of possible experience, the proper distinction of the different theories of the reality of sensuous objects is of great importance, in order to avoid the illusion which must necessarily arise from the misinterpretation of our empirical conceptions. Experience soon teaches us this method of correcting our sentiments, or at least, of correcting our language, where the sentiments are more stubborn and inalterable.